Wednesday, May 19, 2010

Broomfield artist Ruth Soller exhibits at Salmagundi Club New York

Broomfield, CO artist Ruth Soller is thrilled that her oil painting “Black Canyon of Gunnison, CO” is accepted in the Salmagundi Club New York Non-Member Painting and Sculpture Exhibition. The Exhibition will be in the Main Gallery and is open to the public seven days a week, 1-5 pm, July 12th through July 23rd, 2010. The Awards Reception will be Friday, July 23rd, from 6-8 pm. Salmagundi Club, 47 Fifth Avenue, New York, NY 10003, 212.255.7740, http://www.salmagundi.org

The Salmagundi Club originated in 1871 as a sketch class in Johnathan Scott Hartley's studio and purchased this mid-nineteenth century brownstone house in 1917 as its second home. It was cited in 1957 for its architectural distinction by the Society of Architectural Historians and the Municipal Art Society. The Club adopted its present name a hundred years ago after Washington Irving published his potpourri of wit and wisdom called "The Salmagundi Papers". The name also serves as the club dining room's famous "Salmagundi Stew".

Following a tradition of 137 years, the Salmagundi Club continues to serve as a center for fine artists from New York and around the country-providing exhibitions of paintings, sculpture and photography, conducting art classes and painting demonstrations and art auctions throughout the year. Through the years the Club has been the singular gathering place for such great artists as Childe Hassam, William Merrit Chase, Howard Pyle, N.C. Wyeth, Louis Comfort Tiffany, Ogden Pleisner and many others. Honorary members have included such luminaries as Sir Winston Churchill, Buckminister Fuller, Paul Cadmus, Al Hirschfeld, Thomas
Hoving and Schuyler Chapin.

Black Canyon of Gunnison, oil on canvas, 30x24

Monday, April 12, 2010

Siena, Italy
















Siena Window, oil on linen, 9x12, $500, Gallery East

We arrived in Sienna, a charming picturesque medieval town. The main street is lined with shops of jewelry, linens, leather, glassware along with bakeries, pastries, gelatos, wine, olive and olive oil vendors. A local specialty is a dense cake, Panforte di Siena, made with candied fruit, nuts, cinnamon, and cloves. The most exciting annual events occur on July 2 and August 16. The Palio is a horserace around the Campo, a cobblestone paved central city court shaped like a scallop seashell. Each of the 17 districts sponsors a horse who must be blessed by a priest in the main chapel or church of that district. The horse must win by any means, with or without its hired jockey, foreigners and mercenaries looked down upon by locals. Crammed into the piazza and surrounding shops and caffes are 50,000 spectators.


The Piazzo del Campo is seashell shaped, slanting downward toward Palazzo Publico. Buildings around the Piazzo are convex on one side and concave on the other. The Duomo or cathedral is built of striking black and white striped marble with lavish pink and white marble façade and an ornate interior. Side streets offer charming arches, steeply pitched bricked and cobble stone streets, siena and ocher colored buildings with green or siena shutters as shown in my painting above. Definitely an artist’s paradise!

Saturday, March 20, 2010

Anne of Florence, Italy

May I share with you how I painted a portrait of Anne, our Guide to Tuscany, Italy? Anne is a tall and elegant woman from Florence with classic Italian features and olive skin tones. She has lovely dark hair and eyes with a long, sculpted face similar to Sarah Jessica Parker. Her bone structure is quite evident. She was fashionably dressed in a black wool beret, flowing cream crocheted scarf, olive quilted down filled coat, black leggings with exquisite to-die-for black leather riding boots with fold-over rim at the knee. In addition to all the information about the enchanting region of Tuscany, I focused on memorizing Anne’s appearance. Above is the pencil sketch I did mostly from memory.

To Paint Anne I first sketched my drawing onto an Ocher toned canvas board using watercolor pencil for easy correction. I pre-mixed the portrait color palette which I learned from Daniel E. Greene of North Salem, New York. To learn about this you may purchase Daniel Greene’s oil portrait instruction video from http://DanielGreeneArtist.com. Next, I began painting the darkest values progressively moving to middle tones and finally light values and highlights. I decided to try a neutral grey middle value background, because I had such a strong pattern of light and dark in the figure. I am so glad I made that choice as I love the timeless feeling it gave the painting. Another new experiment for me was to paint the crocheted scarf with a palette knife, another happy result. I’m quite pleased with this portrait and hope that you enjoy it as well. As always I love to receive your comments.

Thursday, February 11, 2010

Identity: How we become unique individuals


You’re cordially invited to a unique worship and arts opportunity.

Broomfield United Methodist Church pastors have decided to incorporate visual art into some worship experiences to coincide with a series of messages about Identity: How we become unique. Ruth Soller, Broomfield oil painter of fine art portraits and architecture has agreed to have a three to five minute video filmed in her studio showing how she begins a self portrait and then showing how she finishes the painting. She will address the question of how we see the image of God. This video will become part of the worship experience and will tie in with the message on Sunday, February 21, 2010. Soller’s original oil portrait paintings including her Portrait of Rosa Parks will be on display during this event. Three worship services on February 21st will include the video and paintings, 8:30 am and 9:45 am are contemporary services with guitar, piano, and drums accompanying contemporary songs and 11:05 am is a traditional service with organ and hymns. Location is Broomfield United Methodist Church, 545 West 10th Avenue, Broomfield, CO 80020. 303-466-1719

The public is invited to attend. Refreshments are available before and between services; and dress is casual. Please feel free to call Ruth at 303-469-2072 with questions or for more information.

I would love to see you there.

Identity: How we become unique
Broomfield United Methodist Church 303-466-1719
545 West 10th Avene, Broomfield, CO 80020
Sunday, February 21st, 2010
8:30 am, 9:45 am Contemporary, 11:05 am Traditional

Saturday, January 23, 2010

Create an oil painting from your travel photos in three steps



1. I selected this candid photo which I took in a cafe. I found this scene compelling because of the warm colors surrounding the girl contrasted with the light and cool colors surrounding the man. I have desired to paint a cafe scene for quite some time.



2. Next I drew a rectangle in my sketchbook in the same proportions as my canvas and gridded the rectangle into thirds vertically and horizontally. This helps in placement of the figures and making sure that the focal point is in a visually appealing location. I sketched the scene in pen and ink in order to eliminate any unnecessary details and to translate the image into three main values--dark, middle tones, and light. You may use pencil or charcoal for the sketch and you need not include as much detail as I used.



Tavola per la colazione, oil on linen, 9x12, $450, Available 303-469-2072

3. You may notice that I moved the teapot and sugar bowl in order to create a small still life in the foreground and to add ambiance to the scene. I moved the figures closer together for more implied intimacy. I decided to include more of the paintings on the wall behind the girl and in the mirror because I thought the images were interesting and the colors related well in my composition. Notice how the diagonals of the tables lead the eye into the scene. I used the same gridding technique with watercolor pencils on my canvas to help with the transfer of the drawing onto the canvas. With all major decisions made before I picked up my paintbrush, the painting proceeded smoothly. Here is the final oil painting.

I encourage you to begin to turn your favorite memories into attractive paintings by following these three steps.

Friday, January 1, 2010

Best of Florence, Italy














1. Piazzale Michelangelo. From this hillside you have splendid views overlooking the Arno, the Ponte Vecchio, the Duomo, and all the beautiful golden toned, red tile roofed architecture of Renaissance Florence. You may also view the expansive villas built by the nobles of Florence.

2. Galleria dell’ Accademia: Michelangelo’s David. This is the most beautiful and moving statue I have ever experienced. Michelangelo chose to carve David poised in expectation, focus and concentration immediately before David felled the giant Goliath with only a strap and five smooth stones. David fully trusted that God was on his side and that He would prevail.

3. Duomo. Each city’s largest church is called its Duomo or Cathedral. Florence architect Filippo Brunelleschi made it his life’s work to build the world’s largest dome to cover the cathedral. The work was completed after 16 years of construction in 1436. The Battistero or baptistery has three sets of bronze doors designed by Andrea Pisano and Ghiberti.

4. Galleria degli Uffizi. This museum contains superb Renaissance sculptures and paintings from the 15th Century to 17th and 18th century European artists including Rubens, Canaletto, Van Dyke, Caravaggio and Rembrandt. I was particularly amazed by the rich, pure colors of Doni Tondo (c1505) by Michelangelo, a circular portrayal of the Holy Family.

5. Piazza della Signoria. Florence’s most famous square contains the Neptune statue with bronze water nymphs adorning the fountain.

6. Ponte Vecchio. This 1593 bridge crowded with forty silver and gold jewelry shops is one of Florence’s most famous landmarks.

7. Piazza Santa Croce. The Franciscan Gothic church of Santa Croce contains the tombs of Michelangelo, philosopher Niccolo Machiavelli, composer Gioacchino Antonio Rossini, and scolar and humanist Leonardo Bruni. You may visit the monastery leatherworking school which provides students training to produce the fine leather goods renowned in Florence.

8. Santa Maria Novella. This church was established by Dominican friars in 1221 as a small chapel Santa Maria delle Vigne. Architect Leon Battista Alberti blended existing Gothic elements with new Renaissance features when he completed the intricate marble façade in 1458.

9. Museo Nazionale de Bargello. This fortress-like structure was built in 1255 as the government headquarters and later in 1865 became a National Museum of Italy.

10. Il Porcellino. The city emblem is a bronze statue of a wild boar. It is believed that if you rub the nose of the boar it will bring you good luck and ensure a return visit to Florence.

Florence Biennial International Contemporary Art




It was a wonderful gift and blessing to be able to travel to Italy and participate in the 2009 Florence Biennial, where my works were very well received. The USA Biennial artists met the afternoon after the Opening Ceremony, introduced ourselves to the group and talked about our experiences. Of the seventy USA artists exhibiting at the Florence Biennial, over fifty traveled to Italy to attend. We agreed that we would like to keep in touch with one another and to plan group shows in the USA in the near future. I truly enjoyed meeting artists from around the USA and the world. Some results of these conversations include being invited to exhibit in an international show in Fiji in June 2010 and discussing a potential portrait commission. One USA artist was invited to have a solo exhibition of more than twenty of her large photographs in a gallery in Florence. I returned home with more than 600 photos which will serve as the inspiration for a new series of paintings. I am very thankful for the opportunity to represent Colorado USA in this exciting venue.